Maurer Design Collection

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Maurer Design Collection — Maurer Design Collection | Furniture and objects |
Limited Editions and unique pieces | Designs from 1990 until today

X-Chair, 2020, Hermann August Weizenegger (DE) — X-Chair | 2020 | Hermann August Weizenegger (DE) |
Stainless steel mirror polished | This unique piece was presented at the Kunstgewerbemuseum Berlin in the exhibition "Atmoism" in 2020/2021

Root Vases, 2020, Jochen Holz (UK) — CACTUS VASE and ROOT VASES | 2020/2021 | Jochen Holz (UK) |
Freeblown opaque celadon borosilicate glass with coloured rim lips | Unique pieces

Bone Rocker, 2008, Joris Laarman (NL) — Bone Rocker | 2008 | Joris Laarman (NL) |
Black mazy marble composite | Rapid Prototyping, handfinished | Edition 12

Ceremonia I – III, 2010–2011, Ruth Gurvich (FR) — Ceremonia I – III | 2010–2011 | Ruth Gurvich (FR) |
Solid silver | Atelier Richard Orfèvre, Paris | Edition 7

Melted Bronze, 2014, Pieke Bergmans (NL) — Melted Bronze | 2014 | Pieke Bergmans (NL) |
Wax model cast in bronze | Unique piece

Lucky Charms, 2007, Demakersvan (NL) — Lucky Charms | 2007 | Demakersvan (NL) |
Glazed clay | Cor Unum Contemporary Ceramic, Netherlands | Edition 50

Holographic Collection Chair I, 2021, Objects of Common Interest (GR/USA) — Holographic Collection Chair I | 2021 | Objects of Common Interest (GR/USA) |
Glossy powdercoated steel, acrylic pad | Unique piece

Al Dente, 2019, Misha Kahn (USA) — Al Dente | 2019 | Misha Kahn (USA) |
Aluminium | From the Exhibition "Soft Bodies, Hard Spaces" at Friedman Benda 2020 | Edition 1/8

Solid T1, 2004, Patrick Jouin (FR) — Solid T1 | 2004 | Patrick Jouin (FR) |
Epoxy resin, glass | Solid, the first pieces of furniture printed in one piece in 3D | Edition 1/30

ARCANA, 2020/2021, Karl Monies (DK) — ARCANA | 2020/2021 | Karl Monies (DK) |
Glazed Stoneware, cork, rope | Unique pieces

Carbo Tom, 1997, Ron Arad (GB) — Carbo Tom | 1997 | Ron Arad (GB) |
Carbon fiber shell | One Off Ltd., London | Carbon fiber edition 5

Bisquit Collection, 2006, Studio Job (BE) — Bisquit Collection | 2006 | Studio Job (BE) |
Biscuit porcelain | Royal Tichelaar Makkum, Netherlands | no longer in production

Sinter Chair V Bronze, 2018, Vogt+Weizenegger (DE) — Sinter Chair V Bronze | 2018 | Vogt+Weizenegger (DE) |
Bronze | Manufactured on the basis of the Sinter Chair from 2002 | Unique piece

Cinderella Table, 2005, Jeroen Verhoeven (NL) — Cinderella Table | 2005 | Jeroen Verhoeven (NL) |
Pigmented white plywood | CNC milling, handfinished | AP from a edition of 20

Aluminium Gradient Chair, 2014, Joris Laarman (NL) — Aluminium Gradient Chair | 2014 | Joris Laarman (NL) |
Aluminium | Selective Laser Sintering (SLS), handfinished | Edition 12

R.T.W. (Reinventing the Wheel), 1996, Ron Arad (GB) — R.T.W. (Reinventing the Wheel) | 1996 | Ron Arad (GB) |
Anodized aluminium | Hidden, Netherlands | Only 25 pieces produced

Het Stoel (v), 2018, Eline Brouwers (NL) — Het Stoel (v) | 2018 | Eline Brouwers (NL) |
“The chair (female)” is made of ash wood | Handmade by designer | Chair No. 02

EL.E.DEE, 2001, Ingo Maurer (DE) — EL.E.DEE | 2001 | Ingo Maurer (DE) |
EL.E.DEE was the first LED table lamp on the market | Edition 50

B.M. Horse Chair, 2008, Satyendra Pakhalé (NL) — B.M. Horse Chair | 2008 | Satyendra Pakhalé (NL) |
Bronze | Lost-Wax-Process | Edition 7

High Tea Pot, 2003, Wieki Somers (NL) — High Tea Pot | 2003 | Wieki Somers (NL) |
Biscuit porcelain | Shape of a skull of a pig | Studio Wieki Somers

Knotted Rouge, 1996/2006, Marcel Wanders (NL) — Knotted Rouge | 1996/2006 | Marcel Wanders (NL) |
Carbon and epoxy-coated aramid fibers | Cappellini, Italy | Edition 99

Heratwave, 2007, Joris Laarman (NL) — Heratwave | 2007 | Joris Laarman (NL) |
Polymer concrete, steel plumbing parts | JAGA, Belgium

Little Haevy, 1989, Ron Arad (GB) — Little Haevy | 1989 | Ron Arad (GB) |
Stainless Steel, mirror polished | One Off Ltd., London | Edition 20

Hat Plate, 2007, Emiko Oki (GB) — Hat Plate | 2007 | Emiko Oki (GB) |
Japanese Lacquer, Wajima-nuri lacquer | Takashi Wakamiya, Japan | Unique piece

Rainbow Chair, 2000, Patrick Norguet (FR) — Rainbow Chair | 2000 | Patrick Norguet (FR) |
Methacrylat (Plexiglas® sheets) | Fused with ultrasound | Cappellini, Italy

George Side Table, 2021, Marco Campardo (IT/GB) — George Side Table | 2021 | Marco Campardo (IT/GB) |
Reclaimed alpi wood, thickness 25mm | Unique piece

Oui!, 2001, Frédéric Dedelley (CH) — Oui! | 2001 | Frédéric Dedelley (CH) |
Willow branches on a metal frame | From Swiss Expo 2002 | Edition 8

Drill Vases, 2021, Erik Olovsson (SE) — Drill Vases | 2021 | Erik Olovsson (SE) |
Viola Arabescato marble / Labrador granite, opaque glass | Unique pieces

Chippensteel, 2009, Oskar Zieta (PL) — Chippensteel | 2009 | Oskar Zieta (PL) |
Stainless Steel | FiDU Technologie | Prototype from a Edition of 50

Happy Pills, 2012, Fabio Novembre (IT) — Happy Pills | 2012 | Fabio Novembre (IT) |
Blown glass with the “Incalmo” technique | Venini, Italy | Numbered Edition

Oscar Bon, 2004, Pilippe Starck (FR) — Oscar Bon | 2004 | Pilippe Starck (FR) |
Armchair with carbon fibre shell | Driade, Italy | no longer in production

Blob Lamp, 2021, James Shaw (GB) — Blob Lamp | 2021 | James Shaw (GB) |
Recycled HDPE plastic and lighting components | Unique piece

Attak, 2010, Renate Hattinger (AT) — Attak | 2010 | Renate Hattinger (AT) |
Porcelain with platinum coating | Handmade by designer | Unique piece

Hole Chair, 1999, Ronan Bouroullec (FR) — Hole Chair | 1999 | Ronan Bouroullec (FR) |
Aluminium, lacquered with aerograph | Cappellini, Italy | no longer in production

Soft Tea Pot, 2008, Kiki van Eijk (NL) — Soft Tea Pot | 2008 | Kiki van Eijk (NL) |
Earthenware with bronze coating | Kik!, Netherlands | special production

Mid Grey Log Chair 2 (LC2), 2010, Soft Baroque (GB) — Mid Grey Log Chair 2 (LC2) | 2021 | Soft Baroque (GB) |
Duplicate of Log Chair 1 (LC1), which was part of the exhibition "Total Space" at the Museum für Gestaltung Zürich in 2020/2021

Toubillon Vase, 2010, A+A Cooren (FR) — Toubillon Vase | 2010 | A+A Cooren (FR) |
Borosilicate glass | Wilfried Allyn (Glassblower) | Edition 21

Asimov Chair, 2010, Joris Laarman (NL) — Asimov Chair | 2010 | Joris Laarman (NL) |
Stainless steel sheets | Industry Robot Prototype | One of the installation in NY

Groove Bottle, 2000, Hella Jongerius (NL) — Groove Bottle | 2000 | Hella Jongerius (NL) |
Porcelain, glass, plastic tape | Initiated by the designer | Jongeriuslab, Berlin

POF 1, 1999, Jörg Boner, N2 Design (CH) — POF 1 | 1999 | Jörg Boner, N2 Design (CH) |
Black lacquered wood Neon Light chair from Horgen Glarus | no longer in production

Gletscher Vase, 2004, Sebastian Menschhorn (AT) — Gletscher Vase | 2004 | Sebastian Menschhorn (AT) |
Sliced, heavy mouth-blown piece of crystal | Lobmeyr, Vienna | Edition 181

Smoke Thonet, 2004, Maarten Baas (NL) — Smoke Thonet | 2004 | Maarten Baas (NL) |
Burnt Classic Furniture | Made for the gallery Moss in NYC | Unique piece

Gear 1, 2015, Floris Hovers (NL) — Gear 1 | 2015 | Floris Hovers (NL) |
Earthenware | Cor Unum Contemporary Ceramic, Netherlands

Elle Chair, 2018, M–L–XL Marco Campardo & Lorenzo Mason (IT) — Elle Chair | 2018 | M–L–XL Marco Campardo & Lorenzo Mason (IT) |
Brass L-profiles coated with holographic paint | Handmade | Edition 4 per colour

Sebae Vessel, 2019, Wang & Söderström (DK) — Sebae Vessel | 2019 | Wang & Söderström (DK) |
3D print then cast | Water based acrylic resin/mineral composite or rubber+pigment | Edition 20

One Shot, 2006, Patrick Jouin (FR) — One Shot | 2006 | Patrick Jouin (FR) |
3D Material Printing Process | PA – Polyamide (Nylon) | MGX by Materialise, Belgium

St. Petersburg, 2009, Monica Guggisberg & Philip Baldwin (CH & USA) — St. Petersburg | 2009 | Monica Guggisberg & Philip Baldwin (CH & USA) |
Blown glass vessel with cold worked surface | Unique piece

Unique Design in Limited Edition

Over the years, Hans Ulrich Maurer has built up a small but fine collection of unique design objects from around the turn of the millennium to the present.

“When selecting an object, I pay attention not only to the aesthetics but also to the idea behind it. It’s important to me to use new technologies or materials in the production process in combination with high-quality craftsmanship.”